Is Artistic Inspiration Co-created With Consciousness? from the media The Intimacy of Awareness
A man asks Rupert if the inspiration that arises during the creative process comes from consciousness or is co-created between consciousness and the artist.
- Duration: 8 minutes and 17 seconds
- Recorded on: May 2, 2020
- Event: Seven Day 'Retreat at Home' – May
A woman who has been on the non-dual path for a while notices grief arising as she lets go of her identity as an artist.
A man says he can get caught up in the momentum of the mind and get stuck there. He asks for guidance on staying connected with his true nature during the activity of thinking.
A man asks for guidance on how to know when he is speaking from his understanding rather than from conditioning.
A man says he believes the consciousness that is aware of thinking is itself a passing thought. Rupert helps him to see that witnessing our thinking differs from the object, a thought, that is witnessed.
A man asks Rupert to elaborate on the statement 'The great path is not difficult for those who have no preferences' and the relationship between preferences and acceptance.
A woman who has identified herself as a spiritual teacher asks if the separate self has a personal destiny.
A woman says she doesn't feel comfortable charging money in the service of peace and truth. She asks for guidance on how to earn a living in accordance with her highest love and understanding.
A man asks if everything in the universe is a vibration of consciousness and if there is a difference between localised and unlocalised consciousness.
A man asks Rupert how he can prove to himself that consciousness is not an emergent phenomenon.
A woman says she knows she is not a separate self and at the same time desires to merge with the divine. She asks Rupert for guidance about her longing.
A man asks Rupert if the inspiration that arises during the creative process comes from consciousness or is co-created between consciousness and the artist.
A man asks why, from the perspective of awareness, there is creation and manifestation.
A woman who is new to non-dual meditation asks for advice about fear that arises at night.
A woman who has been on the non-dual path for a while notices grief arising as she lets go of her identity as an artist.
A man says he can get caught up in the momentum of the mind and get stuck there. He asks for guidance on staying connected with his true nature during the activity of thinking.
A man asks for guidance on how to know when he is speaking from his understanding rather than from conditioning.
A man says he believes the consciousness that is aware of thinking is itself a passing thought. Rupert helps him to see that witnessing our thinking differs from the object, a thought, that is witnessed.
A man asks Rupert to elaborate on the statement 'The great path is not difficult for those who have no preferences' and the relationship between preferences and acceptance.
A woman who has identified herself as a spiritual teacher asks if the separate self has a personal destiny.
A woman says she doesn't feel comfortable charging money in the service of peace and truth. She asks for guidance on how to earn a living in accordance with her highest love and understanding.
A man asks if everything in the universe is a vibration of consciousness and if there is a difference between localised and unlocalised consciousness.
A man asks Rupert how he can prove to himself that consciousness is not an emergent phenomenon.
A woman says she knows she is not a separate self and at the same time desires to merge with the divine. She asks Rupert for guidance about her longing.
A man asks Rupert if the inspiration that arises during the creative process comes from consciousness or is co-created between consciousness and the artist.
A man asks why, from the perspective of awareness, there is creation and manifestation.
A woman who is new to non-dual meditation asks for advice about fear that arises at night.